First of all, the culture at Netflix, they empower me to do my thing - to make what you have to consider an experimental film. It's like I said: This is the most honest expression of who I am as a filmmaker. What I saw in the film was a lot of Scott Pilgrim vs. I love that the pull is Faust, which comes across so clearly in Killer Queen. I mean, the whole thing is based on Goethe's Faust but then you have ridiculous Mel Brooks-esque jokes.
The babysitter judah lewis movie#
I'm trying to respect the viewer by offering something different that you can't put in a box and say, "Oh, that was just like this" or "This movie was just like that." To me that's the fun of filmmaking: it's funny, it's thrilling, scary on occasion, it's emotional, there's a story there, it's about something, and hopefully it mixes highbrow and lowbrow. Hopefully the fans will respond to, what I'm hoping, is the originality of it. The movie feels like a mixtape and that's the design. The whole film is a reflection of my influences growing up and all the movies I was watching, the music I was listening to, and all the things that affected me so deeply. It's a reflection of my favorite type of filmmaking, which is trying to synthesize genres that don't traditionally coexist that well. What’s your guiding principle for marrying those two genres?
Horror-comedy is the genre blend it seems everyone loves and is so rarely pulled off well. The following interview contains spoilers for The Babysitter: Killer Queen.
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The guy knows how to make genre work, even a tricky blend like that possessed by The Babysitter films.Īhead of Killer Queen's premiere, McG spoke with SYFY WIRE about working with a returning cast - including the likes of Lewis, Hana Mae Lee, Robbie Amell, Bella Thorne, Emily Alyn Lind, Andrew Bachelor, Leslie Bibb, and Ken Marino - the end of The CW's long-running Supernatural, and those bloody, bloody kills that make the Babysitter movies such goopy, gory fun. The Charlie’s Angels, Terminator Salvation, and Rim of the World director started off in music videos and his impressive career has also seen him help lead shows like Supernaturalto incredible success as an executive producer. The Babysitter: Killer Queen reunites the cast for another flashy trip through McG’s brain, as Judah Lewis' Cole prepares to suffer through high school while dealing with the wildest pieces of action, horror, and over-the-top silliness the genres have to offer.Īnd thanks to McG, it all somehow clicks together. The Babysitter, filmmaker McG’s hilarious tongue-in-cheek response to the combined '80s pop culture staples of coming-of-age nerd films and off-the-wall horror, has a sequel at Netflix.
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